Normally we’d go straight to standard ‘Cinema’, but there was a pleasing clarity imposed on the picture with this mode, so we tended to stick with it. The default picture setting was ‘Bright Cinema’. Likewise, there was little or no artificial sharpening or edge enhancement in place by default, allowing for smooth diagonals, indeed a smooth picture in general. In addition to being properly calibrated as to brightness, there was also no colour shift in any of the greys. Perhaps things are a bit more basic than the considerable massaging many TVs these days give a signal, but it nevertheless gave confidence that what it was delivering was pretty much what was in the signal, subject only to hardware limitations. Likewise for full black and blacker than black. A grey-scale test pattern was properly shown with full white and whiter than white indistinguishable from each other. Out of the box most of the settings were pretty much spot on.
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